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Studio notes
Guides for the person who has to spec the punch file.
Formats, compensation, placement, density, jumps, and stitch types — written the way a production manager briefs the desk.
All guides
01Embroidery file formats, and which machine reads what
Every common stitch format, the machines that read it, and the difference between a machine file and a native working file.
Pull and push compensation, and why shapes finish the wrong size
Why circles sew as ovals, why columns shrink, and how the punch builds width back in before the hoop moves.
Before you send a logo for digitizing
Artwork, size, fabric, and format — the four notes that keep a punch from stalling on the first review.
Cap Embroidery Size & Placement Guide
Front-panel height limits, center-out pathing, and why a left-chest file should not be hooped on a hat.
Left Chest Embroidery Size & Placement Guide
Standard widths, distance from the collar, and how pique changes what a 3-inch mark can hold.
Embroidery Stitch Density Explained
Why stitch spacing is not one number, and how pique, fleece, and caps each need their own map.
Jump Stitches and Trims in Embroidery
Travel that should hide, jumps the operator has to clip, and how the punch sequences color to cut trim time.
Embroidery Stitch Types: Run, Satin and Fill
When a running stitch outlines, when a satin column is legal, and when a fill (tatami) should cover the field.